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Chapter Five: Cecil Gets Involved
Carla ran to the house and found her grandmother in the kitchen,
knitting. Shamrock snored at her feet. The house was quiet and the
kitchen smelled of roast beef and yeast rolls.
“Grandma Julia, have you seen Cecil?”
“Sweetheart, I haven’t seen much of anything for quite a few
years,” she replied, “but no, he’s not in the house. Just me
and Shamrock here this afternoon.”
Carla glanced down at the shiny black dog. She was lying on an oval
rag rug. Another rag rug, thought Carla. Her heart leapt
inside her, and a small gasp escaped her throat. Why hadn’t she
noticed them before?
“What’s wrong, child? Has something upset you?”
Carla wanted to bolt from the door to find Cecil, but she hesitated.
“Grandma, is that your rug that Shamrock sleeps on?”
“Well, I don’t know, Carla.” The woman leaned over to touch the
rug. “I guess so. I’ve had it for years. I brought it with me
when I moved here.”
“Is it the only one like that you have?”
“I think so,” the grandmother answered, but her voice quivered.
She turned her face toward Carla, listening closely. “I’m not
really sure. Why? Do you like it?”
Carla’s panic returned, and she only said, “I have to find Cecil.
See you later!” And she was gone.
Cecil was swimming in the murky cow pond on the other side of the
woods. Its banks were bright orange clay, and the water was a muddy
green. A short, rickety dock jutted into the water. The boys took
turns dashing the length of the dock and cannon-balling into the
pond.
“Cecil!” Carla screamed, as she thrashed through the pine trees.
“Cecil! Where are you?” She came suddenly into the bright
sunshine and its glint on the water, and squinted. “Cecil!”
“What!?” he yelled back. “Carla, watch this!” And he hurdled
off the dock and plunged into pond, splashing his sister.
She ran to the end of the dock. He swam far out, and when he finally
came up for a breath, she called as loud as she could, “Come back!”
She waved to him. “It’s important!” She jumped up and down on
the dock, waving again and hollering, “Hurry!”
Cecil did not like being bossed by his sister, so he took his time
swimming to shore. The red clay bank was a slimy, gooey mess to
climb. By the time he reached Carla he was irritated and dirty.
“What d’you want? Good grief! I was just getting a good splash!”
She grabbed his arm and pulled him away from the other boys on the
dock. “Cecil,” she began, but she didn’t know how to say it.
“Cecil, something’s happened.” She gulped. “I mean,
something’s happening. Julia’s been acting so strange --”
“Julia always acts strange.”
“No, no. I mean, she goes missing, and --”
“Carla, what’s wrong with you?”
“I’m telling you. It’s about the workhouse.”
“The workhouse!” Cecil’s voice lowered. He looked at her
intently. “The workhouse? Here?” What do you mean?”
“I don’t know exactly.” Carla slowed down, trying to make sense
of her own fears. “I saw a rug, Julia showed me this rug. It’s a
rag rug from the workhouse! It’s one made by Celeste, I know it.
She told me about her rugs. It’s hers!”
Cecil knew better than to doubt his sister’s opinions on matters so
precise. “Okay. Okay, show me the rug.” He turned toward the
house. “And what else? What’s bothering you about Julia?”
“Um, well, she’s actually really missing sometimes, not just
hiding in a corner somewhere. And she puts all her stuff from her
windowsill onto her bed. That was weird.” Carla tried to remember.
“Oh! And there’s Grandmother.”
“Grandmother Julia? What’s she got to do with it?”
“We heard her talking the first night. She said the house wasn’t
safe for kids.”
“Well, yeah, it’s not very kid friendly. That’s why we play
outside so much.”
“No, it was more than that. Like it was a dangerous place for kids
to live. Bad things might happen to them.”
“Okay ….”
“And Julia freaked out about the two ghost stories, and, well ….”
Carla was running out of things to say. “And, and Shamrock. She and
Shamrock both disappear.”
“She takes the dog somewhere?”
They were walking through the boxwood garden. Cecil ran his hand over
the lady statue’s head. Carla saw it and remembered. “And this
statue. She’s hidden underneath it before. That’s kind of creepy,
right?”
Cecil stopped and looked at her. “Carla, calm down. You might be
imagining things. Seriously – do you think Julia has been to the
workhouse?” He whispered the word.
Carla could not respond. She led him past the house to the clerk’s
office. The door scraped as before, and dust filtered from the
ceiling.
“Julia?” she called. There was no answer.
“The rug’s over here, in the trunk,” Carla said. The dolls and
blankets lay on the floor still, but the cups and saucers were gone.
Carla lifted the lid of the trunk. She rifled through its contents.
The rug was gone.
“It was here! Cecil, I promise, it was here.” She knelt a moment.
“Actually, there were two, but I only noticed one. Julia must’ve
taken them somewhere.” She jumped up. “I’ll ask Grandmother.”
Cecil was less and less willing to pursue this wild goose chase in
his filthy bathing suit, but Carla made him come. This time
Grandmother Julia was napping, her chin on her chest. Her gentle
breathing whispered in the kitchen.
“Don’t wake her up!” Cecil warned, but Carla was already
tapping her arm.
“Grandmother,” she said. “Grandmother!” Carla bent over the
lady’s gray head.
“Yes? Carla! What’s wrong?” The old lady drifted back to
reality. Carla’s nervous voice worried her.
“Have you seen Julia?”
“No. I’ve seen nobody since you were here a bit ago.”
Grandmother slipped an arm around the girl. “What’s wrong with
you today, Carla? You’re not usually this anxious. Has something
happened?”
Julia looked down. “No, nothing.” She saw the rug again beneath
her grandmother’s feet. “Grandma,” she began.
“Yes?”
“Can I borrow your rug for a minute?”
“My rug? Whatever for?”
“Um,” Carla was challenged again to explain herself. “I just
want to show it to Cecil,” she said. “It reminds me of one I saw
before. I just wanted to … to … show it to him.”
“Really? Another … well, certainly, child. Just shove Shamrock
off of it.” And she scooted her feet over and gave the sleeping dog
a gentle push. Carla lifted the small rug.
“Thanks so much. I’ll bring it right back.”
When Carla and Cecil inspected the rug, its stitching was the same as
the one Carla had seen in the clerk’s office. The triple-stitch
pattern was unmistakeable, and even Cecil began to wonder if somehow
this rug had come from Celeste’s hand to Federal Hill. But how? How
could their cousins’ home be connected to the Mortessen Workhouse?
The thought baffled and terrified him. He and Carla sat on the
kitchen stoop whispering.
“Did we ever find out what happened to the rugs from the
workhouse?” he asked.
“I don’t remember exactly,” Carla replied. “They worked the
kids hard, so I always assumed they made money off the rugs, sold
them somewhere.”
“So maybe somehow a rug was sold in our world, and it came here.”
“Two came here.” Carla paused. “Well maybe three. There were
two in the office, I think.”
“Yeah,” Cecil murmured. “Three. And all of them came to the
Christopher family.”
“I don’t understand that,” said Carla. “What are the chances
our house would be connected to the workhouse, and our cousins’
house would be too? I just don’t understand that at all.”
“I don’t either,” said Cecil. “But from what you’ve said,
we’d better find Julia and start asking her some questions.
They searched for their little cousin the rest of the afternoon with
increasing alarm. She was not in the clerk’s office. Carla showed
Cecil the secret panel and the ladder upstairs. They called into the
dark hole for her. They hunted the woods and searched the barns and
gardens. They went through the house room by room quietly, so as not
to worry the adults, although only their grandmother was in the
house. Carla showed Cecil Julia’s alcove bed. And again, the
contents of the windowsill were strewn across the covers, but the
flashlight was not there.
Finally they decided to ask their aunt where Julia might be playing.
But Aunt Velma wasn’t at home. When they inquired of their
grandmother they discovered Aunt Velma had driven to the Lynchburg
airport to meet Uncle Robert and wouldn’t be home until quite late,
after they’d all gone to bed. She’d left Grandmother Julia in
charge.
Upon hearing this, the brother and sister went back to the girls’
room dismayed.
“Grandmother’s in charge? A blind old lady?” Cecil ran his
hands over his crew cut. He and Carla sat on the edge of Julia’s
bed. “Okay, we have to think clearly. Maybe we should ask Teddy or
Ben.”
“No. Let’s only tell them as a last resort,” she said. “They’ll
just say she’s hiding again. She does it all the time, plus nobody
notices her. She could be gone all day and nobody would care.”
Cecil looked quizzically at her. “Really?”
“Yeah,” she said. “I think it makes her sad.” Carla pulled
her legs up on the bed. “This is really a cool place to sleep. She
reads in here at night.” She looked out the window at the huge
cedar tree. One side of it was aglow with the setting sun. “I wish
I had a deep window like this,” she said. “I’d sit on the
sill.”
She scooted over into the window box and tucked her legs beneath her
on the sill. When she did, the boards under her made a strange,
hollow sound.
“Oh!”
“What was that?” Cecil asked.
Carla moved her feet, and again a dull, hollow noise came from under
her. The windowsill creaked and the boards moved.
“That’s not solid,” Cecil noted.
Carla slid from the window back onto the bed. The siblings looked at
each other. Cecil put his hands under the lip of the sill and pulled.
The entire deep windowsill lifted easily like a trap door. He raised
it gingerly and leaned it against the window pane. A concealed hinge
underneath kept it from slipping. There, right beside Julia’s bed –
inside the alcove where she slept each night – was a large, dark
secret passage descending straight down. Cecil picked up a pencil
from the bed and dropped it into the hole. There was no sound at
first, then a faint rattling, and then a distant clunk! as
the pencil hit the bottom.
“This is where she’s been disappearing to,” Cecil said.
“This is where she is now,” Carla added.
“I wonder where …?” Cecil murmured.
(To continue to Chapter Six, click here.)
[Ten Days at Federal Hill and all its components are copyrighted by the author, M.K. Christiansen.]
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